What distinguishes Mannerist interiors from High Renaissance in terms of space and ornament?

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The idea being tested is how Mannerist interiors break away from the calm, orderly space of the High Renaissance and push toward drama and complexity in both form and decoration. In the High Renaissance, interiors aim for clear, rational space: balanced proportions, a strong central order, and restrained ornament that reinforces that calm logic. Mannerist interiors reverse that emphasis. They favor elongated forms that stretch or pull the eye, and perspective that is deliberately manipulated to feel unsettled or theatrical. Spaces may relate to each other in more indirect, tension-filled ways rather than a single, harmonious axis. Ornament becomes more expressive and inventive, sometimes fantastical or exaggerated, enhancing the sense of theatricality. Taken together, these features—elongated, distorted space, unusual perspective, and a dramatic, almost staged relationship between rooms—define Mannerist interiors and set them apart from High Renaissance clarity and balance.